Another thoughtful blog post by our very own Melissa Ferguson.
Melissa Ferguson is an adjunct professor for New Testament at King University. She’s quite fond of her twins (and soon-to-be baby girl!), iced lattes, jogging with a good audiobook, hiking the AT outside her door, living in the charming town of Bristol, and her one-in-a-billion husband.
Forsaking Your First Love by Melissa Ferguson
The Topic Google Missed
“Why is it that I can google the anatomy of a seagull and find 1700 diagrams in .00002 seconds but cannot get a single quality article about some biblical passage I’d like to study deeper? I mean, when a few taps on the computer can pull up twelve videos on how to break into my neighbor’s house, why on earth is decent commentary of the Bible lacking?”
Melissa Smithlin Ferguson, King Philosophy and Religion
From the Los Angeles Times June 15, 2016
Dudamel makes Mozart and Arvo Pärt a matter of life and death
“Dudamel led “Miserere” pitilessly. He took nothing for granted, refused to soften what is hard and required each sound to undergo the test of time. He gave Mozart’s Requiem operatic expression but again little comfort. Mozart’s Dies Irae needed a rage to match Pärt, and that meant that everything else had to be raised to that kind of emotional level as well. With Pärt setting the stage, Dudamel’s grim yet profound acceptance of the implications the Requiem ultimately proved vivid illustration of what made Mozart Mozart, and hence what makes each thing itself.”