From the Los Angeles Times June 15, 2016


Dudamel makes Mozart and Arvo Pärt a matter of life and death

“Dudamel led “Miserere” pitilessly. He took nothing for granted, refused to soften what is hard and required each sound to undergo the test of time. He gave Mozart’s Requiem operatic expression but again little comfort. Mozart’s Dies Irae needed a rage to match Pärt, and that meant that everything else had to be raised to that kind of emotional level as well. With Pärt setting the stage, Dudamel’s grim yet profound acceptance of the implications the Requiem ultimately proved vivid illustration of what made Mozart Mozart, and hence what makes each thing itself.”

Interview with Emanuel Tov on the Septuagint

Great interview by a world-class scholar. On the Septuagint–the Greek translation of the Hebrew Bible.

Dead Sea Scrolls Lecture: Part 3: Dr. Travis Williams

This is part 3 of the Dead Sea Scroll lecture series by Dr. Travis Williams, Tusculum College. The King University Philosophy and Religion department hosted this series and the video linked below. Please join us as we continue through our journey of understanding the Dead Sea Scrolls.

Dead Sea Scrolls Lectures: Part 3

Dr. Travis Williams
Dr. Travis Williams